Workweeks have been pretty intense so I spent the weekend recharging. I finally picked up the pots and cups I made over the last couple of months at Tokobo Pottery. They are raw and unrefined, even ugly. But you know what? Tea and coffee taste better in them just because
Sven Mihai lives somewhere in the mountains of Central Europe (he asked me to keep the location vague), where he goes on long hikes to collect wood to create unique teawares that have a cult-like following. Getting hold of one of his products is not as easy as your average
Kintsugi (金継ぎ, 金: gold and 継ぎ: joint, joining) has taken the West by storm over the last decade. The hype has been fuelled by the visual dominance of platforms like Instagram and pop-psychology. Google it and you'll find innumerable photos, DIY kits, famous - if slightly taken out
Republished and updated from The Craftsman Newsletter from October 2020 As my Summer went by without much of an actual summer-vibe, I found myself — like many others — spending more time at home. It was akin to being in a spaceship like in 2001: A Space Odyssey (without the evil computer)
Thomas Lykke's grandfather was a carpenter. He transmitted to his grandson a passion for wood, the knowledge of how to use the tools, a genuine care for quality and, of course, the aesthetics of a well made object. Many years later, after training as a fashion designer in
This essay has been adapted from a short talk I gave at the Grande Finale of the House of Beautiful Business in Lisbon on November 6th, 2019 (watch the video). In March of this year I quit my job. I was feeling exhausted physically and mentally, and there was something
In Takayama, Nara prefecture, Tanimura Jun, professionally known as Tanimura Tango, continues a legacy that few others have maintained. As the 20th generation chasen master craftsman, he creates bamboo whisks essential for preparing matcha tea. Growing up, he showed no interest in the family tradition, nor was he pressured to
When our attention is being sucked away by digital gadgets, how can you help people understand the value of well made products and create a closer connection to their makers? For the Japanese manufacturing district of Tsubame-Sanjo, the answer was rooted in the simplicity of direct human experience: to organise