Gianfranco Chicco

Gianfranco Chicco

Conference director, marketing strategist, and writer, acting as a cultural translator between different worlds. I create experiences that bring people together and curate The Craftsman Newsletter.

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The humble yunomi

The yunomi is the workhorse of Japanese teaware. It’s the cup where you’ll be offered tea at a shop, a restaurant, an office or when visiting someone’s home. You’ll find it in daily use by people of all classes and backgrounds.

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The Ukrainian Tryzub

Ivan Hryhorchuk of Viter Ceramics is a young Ukrainian potter whose work is inspired by Japanese ceramics and tea culture. As a fellow Japanophile, I found his teaware very relatable and bought some of it in 2019. When Russia invaded Ukraine in February of 2022, Ivan’s life and that

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Tea Ensō

This morning I did a sloppy job at transferring new matcha tea from its original container onto a tea caddy using a sift that was wider than the opening of the caddy.

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Traditions: from copying to rebellion to transcendence

When we think about traditional craft objects, the first image that comes to mind is that of old things, vintage looks, nostalgia and remote origin stories. However, traditions are living entities. They have to be born before they get a chance to establish themselves, they grow and evolve, and sometimes

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WIP: new website

I moved my website gchicco.com (this one!) to a new platform (Ghost) and I’m in the process of transferring content from the old version. It contained articles, work news and photos spanning over 15 years… tempus fugit! Reviewing all that content is proving to be quite cathartic and

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I fell down a moon jar rabbit hole

Moon jars are a classic Korean form usually made of milky white porcelain resembling a full moon floating over a rice field.

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Third-wave coffee oasis in Milan

Onest Milano, a cafe-osasis in Italy, oscillates between serving specialty coffee during the day and wine in the evenings, both accompanied by delicate good food. They pride themselves in putting sustainability and traceability at the top of their offering.

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Are you a collector or a maker?

I'm what you guys call a User. - Kevin Flynn, Tron (1982) 'Are you a collector or a maker?' a chatty chap asked me during a ceramics exhibition a few months ago. He then went on to tell me how proud he was of his Japanese

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With my own two hands

Workweeks have been pretty intense so I spent the weekend recharging. I finally picked up the pots and cups I made over the last couple of months at Tokobo Pottery. They are raw and unrefined, even ugly. But you know what? Tea and coffee taste better in them just because

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The Influence Of The Wood Is Everything

Sven Mihai lives somewhere in the mountains of Central Europe (he asked me to keep the location vague), where he goes on long hikes to collect wood to create unique teawares that have a cult-like following.  Getting hold of one of his products is not as easy as your average

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Kintsugi: The Poetic Mend

Kintsugi (金継ぎ, 金: gold and 継ぎ: joint, joining) has taken the West by storm over the last decade. The hype has been fuelled by the visual dominance of platforms like Instagram and pop-psychology. Google it and you'll find innumerable photos, DIY kits, famous - if slightly taken out

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The Social Life of Objects

Republished and updated from The Craftsman Newsletter from October 2020 As my Summer went by without much of an actual summer-vibe, I found myself — like many others — spending more time at home. It was akin to being in a spaceship like in 2001: A Space Odyssey (without the evil computer)